POSTERS COLLECTION

85 museum quality original posters.

Highlights

Museum quality posters; considered to be one of the largest and most comprehensive collections in the world. Plus approximately 20 collectibles / exhibits from the Haring “Pop Shop” for exhibit in display cases.

Exhibition Materials

Captions, wall texts.

Display

Approx. 130 linear meters (390 linear feet).

Characteristics of Collection
  • Geographic location of storage: Northern Europe.
  • All works are shipped framed as per international museum standards.
  • Collection includes the necessary international shipping crates and packing materials ensuring safe ‘nail to nail” transport.
  • Collection is comprehensive, covering a substantial part of the artist’s body of work making it capable of serving as a stand-alone exhibition.
  • Museum curators are provided with extensive information and may curate the exhibition to their specifications.
  • Collection may be expanded or complemented with art from the borrowing museum’s own collections.
  • Collection provides endless opportunities for the development of educational programs, which we can assist with.

Between 1982 and 1990, Keith Haring designed around 85 posters. These included advertisements for exhibitions of his own work as well as cultural events or political issues. Haring’s drawings themselves incorporate the clear cut lines and reduced features needed for effective posters, which have to stand out and be understood at a glance. The uni-colored backgrounds help to make the outlined figures and drawings even clearer. The content of the advertisement is apparent in the illustration — the text being of secondary importance.

Haring’s colorful posters, with their precise pictorial language, direct messages, and universal appeal, still exert an incomparable fascination on us to this day.

ORIGINAL WORKS COLLECTION

Over 150 original works.

Highlights

Two rare Subway drawings, complete suites (including “Ludo”, “Free South Africa”, “The Story of Red and Blue”, “Apocalypse”, “Stones”, “Icons”, “White Icons”, “Bad Boys”, “Kalish”), Medusa Head (the largest print in the artist’s oeuvre), Growing #2.

Exhibition Materials

Captions, wall texts.

Display

Depending on installation – TBA.

Characteristics of Collection
  • Geographic location of storage: U.S.A. (north-east).
  • All works are shipped framed as per international museum standards.
  • Collection includes the necessary international shipping crates and packing materials ensuring safe ‘nail to nail” transport.
  • Collection is comprehensive, covering a substantial part of the artist’s body of work making it capable of serving as a stand-alone exhibition.
  • Museum curators are provided with extensive information and may curate the exhibition to their specifications.
  • Collection may be expanded or complemented with art from the borrowing museum’s own collections.
  • Collection provides endless opportunities for the development of educational programs, which we can assist with.

Keith Haring emerged as the shooting star of the New York art scene in the ‘80s. Becoming world famous almost overnight, his simply drawn figures were soon to be found on watches and cars, T-shirts and shopping bags, turning Haring into one of the best known artists of his generation.

He was born in Reading, Pennsylvania, on May 4, 1958 and was raised in nearby Kutztown. As a child, Haring developed a love for drawing. He was fascinated by the cartoon art of Walt Disney and Charles Schultz and the illustrations of Dr. Seuss. He graduated from high school in 1976 and for a brief period he studied at the Ivy School of Art in Pittsburgh. He became friends with fellow artists Kenny Scharf and Jean-Michel Basquiat and grew interest in the colorful graffiti art of the city’s streets.

In 1980, Haring received public attention with his public art in subways. He had found a highly effective medium that allowed him to communicate his work with the wider audience and he created white chalk drawings on the unused advertising panels covered with matte black paper in a subway station. He considered the subways to be his “laboratory”. Between 1980 and 1985, he produced hundreds of these “subway drawings” (two of which are featured in this collection). His signature images included dancing figures, a “radiant baby” (a crawling infant emitting rays of light), a barking dog, a flying saucer, large hearts, and figures with televisions for heads. These graffiti drawings became familiar to New York commuters, who would often stop to engage with the artist. He also attracted the attention of the city authorities which arrested him for vandalism on numerous occasions.

He met with Andy Warhol at a gallery exhibition in 1983. Warhol became Haring’s mentor, friend and the theme of several of his pieces, including “Andy Mouse”.

In 1986, Haring opened a retail store called the Pop Shop in Soho, New York in order to provide people greater access to his art. The shop sold T-shirts, posters, magnets, toys and buttons bearing his images.

Throughout his brief career, Haring was featured in more than a hundred solo and group exhibitions and produced more than 50 public artworks in cities around the world many of which were created for charities, orphanages, hospitals and children’s day care centers. He also designed around 85 posters. These included advertisements for exhibitions of his own work as well as cultural events or political issues. Haring’s drawings themselves incorporate the clear-cut lines and reduced features needed for effective posters, which have to stand out and be understood at a glance. The uni-colored backgrounds help to make the outlined figures and drawings even clearer. The content of the advertisement is apparent in the illustration — the text being of secondary importance. Haring’s colorful posters, with their precise pictorial language, direct messages, and universal appeal, still exert an incomparable fascination on us to this day.

Haring was socially conscious, and his murals often reflected his position on social issues. He sought to raise awareness of AIDS and fought against the proliferation of illegal drugs. In 1988, he was diagnosed with AIDS. The following year, he created the Keith Haring Foundation in order to raise awareness of AIDS and to provide funding to AIDS organizations and children’s programs. He died of complications of AIDS at the age of 31 on February 16, 1990.

NOTICE:

We encourage museums interested in hosting our collection to obtain a copy of the Code of Best Practices In Fair Use for the Visual Arts (see link) to learn more about the scope of their rights to advertise exhibitions in ways that comply with copyright law yet do not require the approval or licensing of copyright owners.